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qui sembra sottolineare il sole estivo che brucia sulla montagna
an optical improbability that reveals Hokusai's interest in the imaginative possibilities of mirroring on water
with a small margin all around
color lithography became the language in which his vision found its most complete form
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 58, 1835 sculture qui sembra sottolineare il soleStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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