Simenon et Fellini. Paradoxes et complicités épistolaires. Arts décoratifs – Arts appliqués the work was reprinted in

the work was reprinted in 2013

The years spent under contract with the American magazine Harper's Bazaar (1934-1939) confirmed the photographer's technical and formal freedom and marked his peak in this field

the Romanian Brancusi

as in Treasure Island

Simenon et Fellini. Paradoxes et complicités épistolaires. Arts décoratifs – Arts appliqués the work was reprinted inWhat is the nature of the bond that united, for a large part of their lives, two great creators who at first glance seemed very different: the Belgian writer Georges Simenon and the Italian filmmaker Federico Fellini? It is precisely the apparent paradox of this friendship that caught Marina Geat's attention. Starting from an exchange of letters that spanned thirty years, the author's investigation expands to several aspects of the two artists'